| TESTE FOUNDATION | ||
| presents | ||
| ALIAS YEDERBECK | ||
| An | ||
| *ATELIER BERLIN PRODUCTION | ||
| By | ||
| PAUL YEDERBECK | ||
| Fin d’un début | ||
| Cast | ||
| Paul Yederbeck / Monsieur Teste | FRANK GESSNER | |
| Monkey | ALEXEJ TSCHERNYI | |
| Model | MONICA RAU | |
| Paula Yederbeck / Madame Teste | CHRISTINA BUNK | |
| Mademoiselle Teste | XENIA BUNK | |
| Little Roman Prince / Double | GREGOR DASHUBER | |
| Anima | SONJA ROHLEDER | |
| Kissing Couple 01 | CHRISTINA BUNK | |
| FRANK GESSNER | ||
| Kissing Couple 02 | MIRA ELISA GOERES | |
| MARTIN PAPKE | ||
| Kissing Couple 03 | JAN KÖSTER | |
| SUSANNE WIENEMANN | ||
| Kissing Couple 04 | LAURA PERRICONE | |
| BENEDIKT TONIOLO | ||
| Kissing Couple 05 | MONIQUE ULRICH | |
| SAMUEL WEIKOPF | ||
| Kissing Couple 06 | CHRISTIAN MAHLER | |
| NADJA MAHLER | ||
| Kissing Couple 07 | ATHANASIOS KARANIKOLAS | |
| COSTAS POMBATZIS | ||
| Kissing Couple 08 | JUTTA GROSS-HOLLER | |
| LOTHAR HOLLER | ||
| Kissing Couple 09 | ALEXEJ TSCHERNYI | |
| WU ZHI | ||
| Kissing Couple 10 | MISHA SHENBROT | |
| SABINE WORTHMANN | ||
| Kissing Couple 11 | JULIA DUFEK | |
| ROBERT KÖLM | ||
| Kissing Couple 12 | HELKE MISSELWITZ | |
| ADAM TUSK | ||
| Contributors / Spectators | ||
| PETER BADEL, SANDRA BAHR, ALFRED BEHRENS, ANGELA BERNASCH, DOREEN BORCHERT, MARTIN BÖHMER, CHRISTINA BUNK, XENIA BUNK, GREGOR DASHUBER, BENJAMIN DICKMANN, JULIA DUFEK, CHRISTOPH ENGELKE, FRANK GESSNER, FELIX GOENNERT, MIRA ELISA GOERES, BERT GOTTSCHALK, ASTRID VON GLISZCZYNSKI, ULRICH HIENZSCH, JUTTA GROSS-HOLLER, LOTHAR HOLLER, RADOSLAV JAMROG, NADJA JANKOWSKI, SABINE KACHEL, ATHANASIOS KARANIKOLAS, KLAUS KEIL, ROBERT KÖLM, AXEL KOSCHIES, JAN KÖSTER, ANEL KULAUZOVIC, ANNE LANGHANS, ANJA LÄUFER, HOLGER LOCHAU, CHRISTIAN MAHLER, NADJA MAHLER, EVA-MARIE MARTENS, BÄRBEL MAUCH, LENA MEYER, SVEN MÜCKE, RENATE MÜLLER, TINE PAPENDICK, MARTIN PAPKE, LAURA PERRICONE, ALEXANDER POHL, COSTAS POMBATZIS, ELIZABETH PROMMER, MONICA RAU, MARTIN RICHARTZ, SONJA ROHLEDER, KATHARINA SCHMALENBERG, TORSTEN SCHULZ, OLIVER SEITER, MISHA SHENBROT, FRIEDA STEMMLER, MARTIN STEYER, SARAH SWOLINSKY, BENEDIKT TONIOLO, ANDREJ TROFIMOFF, ALEXEJ TSCHERNYI, MONIQUE ULRICH, SAMUEL WEIKOPF, DIETER WIEDEMANN, SUSANNE WIENEMANN, SABINE WORTHMANN, RUDI ZIEGLMEIER, WU ZHI, GRIGORI ZURKAN | ||
| Conception, Dialogue, and Director | ||
| FRANK GESSNER | ||
| Camera | ||
| ARRI Digital Camera | MICHAEL HAMMON | |
| 16mm / 35mm Camera | PETER BADEL | |
| Super-8 Camera | BENJAMIN DICKMANN | |
| FRANK GESSNER | ||
| BERT GOTTSCHALK | ||
| OLLIVIER OLLISAN | ||
| Video Camera | BENJAMIN DICKMANN | |
| FRANK GESSNER | ||
| BERT GOTTSCHALK | ||
| JAN KÖSTER | ||
| ALEXEJ TSCHERNYI | ||
| SAMUEL WEIKOPF | ||
| Analog Video Camera | FRANK GESSNER | |
| RENÉ LANGE | ||
| WALTER LENERTZ | ||
| RUDI ZIEGLMEIER | ||
| Photo Camera, iCam | FRANK GESSNER | |
| Painting and Drawing Animation | ||
| Entertainer and Zuschauer | FRANK GESSNER | |
| Direct Film Animation | ||
| Happy End | FRANK GESSNER | |
| ALEXEJ TSCHERNYI | ||
| Compositing | ||
| Entertainer | RADOSLAV JAMROG | |
| LENA MEYER | ||
| DANIEL WANGEN | ||
| Flaneur | BERT GOTTSCHALK | |
| Zuschauer | ALEXEJ TSCHERNYI | |
| Schauspieler | LENA MEYER | |
| JAN KÖSTER | ||
| Auflösung | LENA MEYER | |
| SAMUEL WEIKOPF | ||
| Projektion | BERT GOTTSCHALK | |
| MISHA SHENBROT | ||
| ALEXEJ TSCHERNYI | ||
| Anima Techne | SVEN MÜCKE | |
| OLIVER SEITER | ||
| RUDI ZIEGLMEIER | ||
| Transzendentale Animation | OLIVER SEITER | |
| RUDI ZIEGLMEIER | ||
| Happy End | BERT GOTTSCHALK | |
| ALEXEJ TSCHERNYI | ||
| Doppelgänger | MISHA SHENBROT | |
| Reminder | DANIEL WANGEN | |
| RUDI ZIEGLMEIER | ||
| The End | ALEXEJ TSCHERNYI | |
| Qu’est-ce que Monsieur Teste? | LENA MEYER | |
| ALEXEJ TSCHERNYI | ||
| Editing | ||
| Qu’est-ce que Monsieur Teste? | BENJAMIN DICKMANN | |
| VFX | ||
| Qu’est-ce que Monsieur Teste? | ALEXANDER POHL | |
| 3D Animation | ||
| Modelling | JULIA DUFEK | |
| FRANK GESSNER | ||
| Test Modelling | MICHAEL HERM | |
| JUSTYNA KRZYZANIAK | ||
| Motion Capture, Rigging, and Texturing | JAN RALPH BERGER | |
| Animation | FELIX GOENNERT | |
| RADOSLAV JAMROG | ||
| SVEN MÜCKE | ||
| ESTHER TRILSCH | ||
| Technical Supervisor | JAN RALPH BERGER | |
| Stop Motion Animation | ||
| Puppet Design | FRANK GESSNER | |
| STEPHANIE KEITZ | ||
| Puppet Construction | STEPHANIE KEITZ | |
| ASJA TKATSCH | ||
| JOHN WRIGHT | ||
| Puppet Animation | STEPHANIE KEITZ | |
| Production Design | ||
| Panorama Sequences | FRANK GESSNER | |
| Atelier Design | CHRISTINA BUNK | |
| FRANK GESSNER | ||
| Puppet Set Design | FRANK GESSNER | |
| STEPHANIE KEITZ | ||
| Puppet Set Construction | ANDREJ TROFIMOFF | |
| Container Colosseum Design | CHRISTINA BUNK | |
| FRANK GESSNER | ||
| LOTHAR HOLLER | ||
| Technical Drawing | CHRISTINA BUNK | |
| JORIS HAMANN | ||
| Sound and Music | ||
| Audio Conception | BENJAMIN DICKMANN | |
| FRANK GESSNER | ||
| MARTIN STEYER | ||
| Narrator | ULRIKE KRUMBIEGEL | |
| Narrator Paul Yederbeck / Monsieur Teste | FRANK GESSNER | |
| Narrator Mademoiselle Teste | XENIA BUNK | |
| Narrator Anima | KATHARINA SCHMALENBERG | |
| Vocal Coaching Xenia Bunk | ANNA BARBARA KUREK | |
| Vocal Coaching Frank Geßner | ANNETTE GOERES | |
| Radio Play Mentor | ALFRED BEHRENS | |
| Voice Recording | CHRISTOPH ENGELKE | |
| GUSTAV SCHOLDA | ||
| Sound Recording | BENJAMIN DICKMANN | |
| CHRISTOPH ENGELKE | ||
| MARTIN STEYER | ||
| Sound Editing | BENJAMIN DICKMANN | |
| MARTIN STEYER | ||
| Sound Design VFX Sequence QCMT | CHRISTIAN CONRAD | |
| Sound Design and Music | BENJAMIN DICKMANN | |
| 3D Audio Consultancy | JOHANNES SCHERZER | |
| JOHANNES VARGA | ||
| Sound Re-Recording | CHRISTOPH ENGELKE | |
| MARTIN STEYER | ||
| Musicians | ||
| Cello | BORIS BOJADZHIEV | |
| Violin and Percussion | BENJAMIN DICKMANN | |
| Vocals | FRANK GESSNER | |
| Drums and Percussion | CHRISTIAN LILLINGER | |
| Flute and Clarinet | WANJA SLAVIN | |
| Cinematic Organ and Piano | MARTIN STEYER | |
| Production | ||
| Producer and Production Manager | FRANK GESSNER | |
| Production Accountancy | EVA-MARIE MARTENS | |
| Production Consulting | KLAUS KEIL | |
| Team Grant Application | ALFRED BEHRENS | |
| BENJAMIN DICKMANN | ||
| FRANK GESSNER | ||
| LOTHAR HOLLER | ||
| CHRISTIAN MAHLER | ||
| EVA-MARIE MARTENS | ||
| TINE PAPENDICK | ||
| MARTIN RICHARTZ | ||
| MARTIN STEYER | ||
| Storyboard | FRANK GESSNER | |
| BERT GOTTSCHALK | ||
| Assistant Director Panorama Sequences | ALEXEJ TSCHERNYI | |
| Assistant Director QCMT | BENJAMIN DICKMANN | |
| 16mm Camera Assistance | FLORIAN LAMPERSBERGER | |
| JOHANNES WALTERMANN | ||
| 35mm Camera Assistant | ANJA LÄUFER | |
| ARRI Digital Camera Assistant | TILL GIRCKE | |
| Compositing Assistants | SANDRA BAHR | |
| SVEN MÜCKE | ||
| GRIGORI ZURKAN | ||
| Puppet Animation Assistant | JULIA GRAUBERGER | |
| Production Assistant | XENIA BUNK | |
| Super-8 Support | BERT GOTTSCHALK | |
| Analog Video Support | RENÉ LANGE | |
| Found Footage | BENJAMIN DICKMANN | |
| FRANK GESSNER | ||
| BERT GOTTSCHALK | ||
| Archive Forgery | BENJAMIN DICKMANN | |
| FRANK GESSNER | ||
| IRINA RUBINA | ||
| Archive Scan | ANDREJ TROFIMOFF | |
| 16mm / 35mm Scan | DOREEN BORCHERT | |
| NADJA JANKOWSKI | ||
| Technical Advice | CHRISTIAN MAHLER | |
| MARTIN RICHARTZ | ||
| DANIEL WANGEN | ||
| Technical Supervisor and Mastering | LENA MEYER | |
| Title Design | LENA MEYER | |
| MAIKE MÜLLER | ||
| Executive Co-Producer HFF | HOLGER LOCHAU | |
| Technology Support HFF | MARTIN BÖHMER | |
| ULRICH BRYLLA | ||
| BERND HEILAND | ||
| FRANK HILLE | ||
| MIKE KINAS | ||
| ANEL KULAUZOVIC | ||
| EVA MÜLLER | ||
| KARL-HEINZ SASS | ||
| UWE SORGALLA | ||
| Legal Advice | ALEXANDRA HÖLZER | |
| Affirmation | SRC SPECIAL RISK CONSORTIUM GMBH | |
| CANINENBERG & SCHOUTEN GMBH | ||
| SEQUENCE_018/252 >ENTERTAINER< | ||
| Technique | ||
| VIDEO, PAINTING ANIMATION, 3D COMPUTER ANIMATION, COMPOSITING | ||
| Sequence inspired by | ||
| WILLIAM SHAKESPEARE, GEORGES MÉLIÈS, ORSON WELLES, WALT DISNEY, SERGEI EISENSTEIN, ARISTOTLE, PLATO, JEAN-PAUL SARTRE, THEODOR W. ADORNO, MICHEL FOUCAULT, GILLES DELEUZE, ABY WARBURG, WERNER HOFMANN, W. J. T. MITCHELL, GOTTFRIED BOEHM, HANS BELTING, UMBERTO ECO, MARSHALL MCLUHAN, VILÉM FLUSSER, LEW MANOWITSCH, PETER WEIBEL, GENE YOUNGBLOOD, STAN VANDERBEEK, LEONARDO DA VINCI, ANDY WARHOL, GERHARD RICHTER, MARTIN KIPPENBERGER, CINDY SHERMAN, HARALD SZEEMANN | ||
| Use of following Footage | ||
| >HAMLET< LAURENCE OLIVIER, | ||
| >STRANGERS IN THE NIGHT< BERT KAEMPFERT, | ||
| >STRANGERS IN THE NIGHT< FRANK SINATRA | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 1< FRANK GESSNER | ||
| SEQUENCE_032/252 >FLANEUR< | ||
| Technique | ||
| SUPER-8, 16 MM, PHOTOGRAPHY, iCAM, VIDEO, COMPOSITING | ||
| Sequence inspired by | ||
| SAMUEL BECKETT, ALBERTO GIACOMETTI, ROBERT FRANK, MARCEL PROUST, CHARLES BAUDELAIRE, WALTER BENJAMIN, RAINER MARIA RILKE, ALFRED DÖBLIN, JAMES JOYCE, FERNANDO PESSOA, LUMIÈRE BROTHERS, WALTHER RUTTMANN, KURT KREN, LUDWIG MEIDNER, ALEXANDRE TRAUNER, ALFRED HITCHCOCK, CHRIS MARKER, CLAUDE MONET, BERNHARD KERBER, HERWIG SCHUBERT | ||
| Use of following Footage | ||
| >LES NYMPHÉAS< CLAUDE MONET, >VERTIGO< ALFRED HITCHCOCK, >TRISTAN AND ISOLDE< RICHARD WAGNER, >JULES ET JIM< FRANÇOIS TRUFFAUT, >BERLIN ALEXANDERPLATZ< RAINER WERNER FASSBINDER, >LA NOTTE< MICHELANGELO ANTONIONI, >À LA RECHERCHE DU TEMPS PERDU< MARCEL PROUST, >LAST TANGO IN PARIS< BERNARDO BERTOLUCCI, INTERVIEW WITH ALBERTO GIACOMETTI, READING BY INGEBORG BACHMANN, >THEME FROM VERTIGO< BERNARD HERRMANN |
||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 1 1/2< FRANK GESSNER | ||
| SEQUENCE_046/252 >ZUSCHAUER< | ||
| Technique | ||
| VIDEO, DRAWING ANIMATION, COMPOSITING | ||
| Sequence inspired by | ||
| BERTOLT BRECHT, MARCEL DUCHAMP, LEONARDO DA VINCI, HANNAH HÖCH, CASPAR DAVID FRIEDRICH, WILLIAM TURNER, IMMANUEL KANT, FRIEDRICH SCHILLER, EADWEARD MUYBRIDGE, J. STUART BLACKTON, WILLIAM KENTRIDGE | ||
| Use of following Footage | ||
| >MONA LISA< LEONARDO DA VINCI, MUSÉE DU LOUVRE PARIS | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 2A< FRANK GESSNER | ||
| SEQUENCE_074/252 >SCHAUSPIELER< | ||
| Technique | ||
| PHOTOMONTAGE, PROJECTION, VIDEO, COMPOSITING | ||
| Sequence inspired by | ||
| GOTTHOLD EPHRAIM LESSING, ANDREI TARKOWSKI, ANDRÉ MALRAUX, ANTOINE DE SAINT-EXUPÉRY, HANNAH HÖCH, ULRIKE ROSENBACH | ||
| Use of following Footage | ||
| CHARIOTEER, KORE SECOND FROM THE FRONT HALL OF THE KOREN ERECHTHEION ON THE ACROPOLIS IN ATHENS, GRAVE STATUE OF CROESUS FROM ANAVYSSOS IN ATTICA, VENUS OF CYRENE FROM THE BATHS OF TRAJAN, SPEAKERS STATUE WITH A PORTRAIT HEAD AND BODY OF A STATUE OF HERMES WITH THE SIGNATURE OF CLEOMENES, APHRODITE OF FRÉJUS, POLYKLET, DORYPHOROS, LEDA AND THE SWAN, APOLLON OF BELVEDERE, APHRODITE OF MELOS, DONATION SANTANDER ATHLETE FROM ADRANO, ZEUS AND GANYMEDE, COUPLE IN THE GUISE OF VENUS AND MARS, ORESTES AND ELEKTRA, SARCOPHAGUS WITH HORIZONTAL PAIR FROM THE TOMB IN THE TETNIES VULCI, GROUP OF SAN ILDEFONSO, GRAVE STELE OF HEGESO, UPPER PART OF A CANDELABRUM WITH THE DEPICTION OF A WARRIOR AND A WOMAN WITH PATERA FROM MARZABOTTO, PORTRAIT STATUES OF CLEOPATRA AND DIOSCORIDES, GRAVE RELIEF WITH FIGURES OF A MARRIED COUPLE, LAOCOON, NIKE OF SAMOTHRACE, PERGAMON ALTAR | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 3 I. Z< FRANK GESSNER | ||
| SEQUENCE_102/252 >AUFLÖSUNG< | ||
| Technique | ||
| PHOTOGRAPHY, VIDEO, COMPOSITING | ||
| Sequence inspired by | ||
| ALBERTO GIACOMETTI, FRANCIS BACON, ANDY WARHOL, DAVID HOCKNEY, EDGAR DEGAS, PAUL VALÉRY, SIGMUND FREUD, ERWIN PISCATOR | ||
| Use of following Footage | ||
| INTERVIEW IN >SPIEGEL<: NEO RAUCH – SUSANNE VON BEYER AND ULRIKE KNÖFEL, | ||
| INTERVIEW IN >FRANKFURTER ALLGEMEINE SONNTAGSZEITUNG<: MARCEL REICH-RANICKI – JOHANNA ADORJÁN, | ||
| >CAHIERS< AND >MONSIEUR TESTE< PAUL VALÉRY | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 4< FRANK GESSNER | ||
| SEQUENCE_116/252 >PROJEKTION< | ||
| Technique | ||
| SUPER-8, PHOTOGRAPHY, PROJECTION, VIDEO, COMPOSITING | ||
| Sequence inspired by | ||
| PLATO, SIGMUND FREUD, FRIEDRICH NIETZSCHE, VICTOR HUGO, ABEL GANCE, FRITZ LANG, FRIEDRICH WILHELM MURNAU, LUIS BUÑUEL, MAYA DEREN, GIUSEPPE BECCE | ||
| Use of following Footage | ||
| >MARSEILLAISE< CLAUDE JOSEPH ROUGET DE LISLE | ||
| >BALLADE VOM 19.07.1926< HEINZ ERHARDT | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK V< FRANK GESSNER | ||
| SEQUENCE_130/252 >ANIMA TECHNE< | ||
| Technique | ||
| VIDEO, 3D COMPUTER ANIMATION, COMPOSITING | ||
| Sequence inspired by | ||
| PETER BROOK, SAMUEL BECKETT, WILLIAM S. BURROUGHS, ROLF DIETER BRINKMANN, LEWIS CARROLL, COMTE DE LAUTRÉAMONT, PIERRE JANET, ANDRÉ BRETON, ALBERT LONDE, EADWEARD MUYBRIDGE, PETER CAMPUS, MARINA ABRAMOVIĆ, CARL GUSTAV JUNG, DANTE ALIGHIERI, SOCRATES, KURT LEONHARD, ERICH MANSEN, ROBERT KUDIELKA | ||
| Use of following Footage | ||
| JOHANN WOLFGANG VON GOETHE, NOVALIS, FRIEDRICH HÖLDERLIN, AUGUSTE RODIN, WALTHER KEMPOWSKI, THOMAS MANN, MARSHALL MCLUHAN, GILLES DELEUZE, EMIL CIORAN, JEAN-LUC GODARD, SAMUEL BECKETT, ALBERTO GIACOMETTI, JÜRGEN HABERMAS, GOTTFRIED BENN, ORSON WELLES, ARTHUR RIMBAUD, T. S. ELIOT, >FAZ< FEUILLETON, >ZEIT< FEUILLETON, >SPIEGEL< ONLINE, PAUL VALÉRY, SUSAN SONTAG, FRANCIS BACON, JAMES JOYCE, HUGO VON HOFMANNSTHAL, POP SONG TEXTS, STEVEN SPIELBERG, MICHAEL FOUCAULT, ROLAND BARTHES, MICHEL HOUELLEBECQ, DIETRICH DIETRICHSEN, JOSEPH BEUYS, JOHANN GOTTFRIED HERDER, GOTTHOLD EPHRAIM LESSING, ANDREI TARKOWSKI, PABLO PICASSO, ERWIN PANOFSKY, >KUNSTFORUM INTERNATIONAL<, MARTIN KIPPENBERGER, RENÉ DESCARTES, MICHEL DE MONTAIGNE, WOLFGANG HILBIG, NARCISSUS MYTH | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK VI< FRANK GESSNER | ||
| SEQUENCE_158/252 >TRANSZENDENTALE ANIMATION< | ||
| Technique | ||
| 3D COMPUTER ANIMATION, COMPOSITING | ||
| Sequence inspired by | ||
| NAM JUNE PAIK, MAHARISHI MAHESH YOGI, DAVID LYNCH, NORMAN MCLAREN, ÉTIENNE-JULES MAREY, STEINA VASULKA, WOODY VASULKA, JEAN GIRAUD / MOEBIUS | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK VII< FRANK GESSNER | ||
| SEQUENCE_186/252 >HAPPY END< | ||
| Technique | ||
| 35 MM, DIRECT FILM ANIMATION, COMPOSITING | ||
| Sequence inspired by | ||
| NORMAN MCLAREN, ANDY WARHOL, PAUL SHARITS, LEN LYE, OSKAR FISCHINGER, STAN BRAKHAGE | ||
| Use of following Footage | ||
| ALFRED NEWMAN, MAX STEINER, MIKLÓS RÓZSA, DAVID RAKSIN, ERICH WOLFGANG KORNGOLD, VICTOR YOUNG | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK VIII< FRANK GESSNER | ||
| SEQUENCE_200/252 >DOPPELGÄNGER< | ||
| Technique | ||
| VIDEO, COMPOSITING | ||
| Sequence inspired by | ||
| SAMUEL BECKETT, BUSTER KEATON, PETER CAMPUS, PAUL VALÉRY, FERNANDO PESSOA, ARNO SCHMIDT, ABY WARBURG, MICHELANGELO ANTONIONI, STANLEY KUBRICK, PAUL THEK | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 8,5< FRANK GESSNER | ||
| SEQUENCE_214/252 >REMINDER< | ||
| Technique | ||
| ANALOG VIDEO / DIGITAL VIDEO, PROJECTION, COMPOSITING | ||
| Sequence inspired by | ||
| MARCEL PROUST, ABEL GANCE, FRANK SINATRA, NAM JUNE PAIK, WOLF VOSTELL, ULRIKE ROSENBACH, BRUCE NAUMAN | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 9< FRANK GESSNER | ||
| SEQUENCE_242/252 >THE END< | ||
| Technique | ||
| VIDEO, COMPOSITING | ||
| Sequence inspired by | ||
| PROMETHEUS MYTH, FRIEDRICH NIETZSCHE, THOMAS MANN, LUCHINO VISCONTI, THEODOR FONTANE, MAX LIEBERMANN, ÉDOUARD MANET, HONORÉ DE BALZAC, AUGUST SANDER, JEFF WALL, BILL VIOLA, GARY HILL, HANS BLUMENBERG | ||
| Use of following Footage | ||
| >WALTZ NO.9 IN A FLAT OP. 69< FREDERIC CHOPIN | ||
| Archive and Painting | ||
| >TESTE SANS FIN / BLOCK 10(X)< FRANK GESSNER | ||
| >QU’EST-CE QUE MONSIEUR TESTE?< | ||
| Technique | ||
| FOUND FOOTAGE, PHOTOGRAPHY, VIDEO, SUPER-8, PROJECTION, STOP MOTION ANIMATION, 3D COMPUTER ANIMATION, COMPOSITING | ||
| Artist Video inspired by | ||
| ANDRÉ BAZIN, PAUL VALÉRY, FERNANDO PESSOA, GEORGES MÉLIÈS, STANLEY KUBRICK, CHARLIE CHAPLIN, ORSON WELLES, HENRI-GEORGES CLOUZOT, GYÖRGY LIGETI, JEAN-LUC GODARD, ANDY WARHOL, PABLO PICASSO, ELMYR DE HORY, MARCEL DUCHAMP, CONSTANTIN BRANCUSI, YVES KLEIN, HUGO VON HOFMANNSTHAL, THOMAS MANN, MAX BECKMANN, ALBERTO GIACOMETTI, FRANCIS BACON, UMBERTO ECO, ROLAND BARTHES, MICHEL FOUCAULT, JEAN-FRANÇOIS LYOTARD, GILLES DELEUZE, BRUCE NAUMAN, RAY HARRYHAUSEN, GEORGE LUCAS, JEFF KOONS, KOEN BRAMS, ALEXANDER KLUGE, PAUL BECK | ||
| and various TV Artists Portraits | ||
| Use of following Footage | ||
| >AN DER SCHÖNEN BLAUEN DONAU< JOHANN STRAUSS, >FIFTH SYMPHONY IN C# MINOR, 4TH MOVEMENT: ADAGIETTO< GUSTAV MAHLER, ORSON WELLES, HENRI-GEORGE CLOUZOT, PABLO PICASSO, DAVID LYNCH, CHARLES DE PURY, DIEGO VELAZQUEZ, PAUL AUSTER, CLINT EASTWOOD, MARTIN KIPPENBERGER, OSCAR WILDE, ARNOLD SCHWARZENEGGER, DAVID BECKHAM, NEO RAUCH, FALCO, CHARLES MANSON, ROBERT DE NIRO, JOHN WAYNE, JÖRG IMMENDORFF, JOACHIM KAISER, NORMAN MAILLER, SILVIO BERLUSCONI, HELEN MIRREN, IGOR MARKIN, EMANUELLE DI DONNA, KARL LAGERFELD, WOLFGANG JOOP, CLAUDIA SCHIFFER, KATE MOSS, NAOMI CAMPELL, LINDA EVANGELISTA, JACK NICOLSON, MICHAEL DOUGLAS, QUENTIN TARANTINO, GEORGE MICHAEL, STAN DOUGLAS, SALVADOR DALI, PETER GREENAWAY, MARCEL DUCHAMP, ALFRED HITCHCOCK, BARNETT NEWMAN, JACKSON POLLOCK, ALBERTO GIACOMETTI, CINDY SHERMAN, FRANCIS BACON, FRANK STELLA, MAURICE RAVEL, BERT KAEMPFERT, MILES DAVIS, FRITZ LANG, THE BEATLES, WOLFGANG AMADEUS MOZART, HERBERT VON KARAJAN, PAUL VALÉRY |
||
| Thanks | ||
| ANNE BAECKER, ALFRED BEHRENS, ANGELA BERNASCH, CHRISTIAN BERG, PIP CHODOROV, BÄRBEL DALICHOW, KATJA DIETRICH-KRÖCK, ANNETT DITTRICH, FALCO DUCZMAL, BRIGITTE FABER-SCHMIDT, DIRK FEHR, UTA GANSCHOW, CORDULA GESSNER, GEORG GESSNER, KERSTIN GESSNER, RITA GESSNER, ELMAR GIGLINGER, ASTRID VON GLISZCZYNSKI, BURKHARD HELD, RANGEEN KATHARINA HORAMI, PEER KLEINSCHMIDT, BRIGITTE KLOTZ, DIETER KOSSLICK, ULRICH KRAUSS, HEINZ-JÜRGEN KRISTAHN, ROBERT KUDIELKA, JONAS LIEBERKNECHT, ERNST LUTZ, KARLHEINZ LÜDEKING, NADJA MAHLER, ERICH MANSEN, ANDREAS MARCKSCHEFFEL, BÄRBEL MAUCH, PETRA MÜLLER, MOLTO MENZ, LOTHAR MIKOS, KATHLEEN MORGENEYER, JAKOBINE MOTZ, KIRSTEN NIEHUUS, ANDY RÄDER, ULRICH REUTER, DANIEL RICHTER, DIETRICH SAUTER, CHRISTINA SCHINDLER, KATRIN SCHLÖSSER, KAI SCHÖNHERR, HERWIG SCHUBERT, KATHARINA SIEVERDING, SIGRID SOMMER, YVONNE SPIELMANN, CHRISTIAN STEYER, MARTIN STEYER, CHRISTINE TRÖSTRUM, HENDRIK WAHL, BERND WEFELMEYER, PETRA WEISENBURGER, MARKUS WENDE, DIETER WIEDEMANN, RUDI ZIEGLMEIER, ANKE ZWIRNER | ||
| Special Thanks | ||
| CHRISTINA AND XENIA BUNK | ||
| Production | ||
| ATELIER BERLIN PRODUCTION | ||
| FRANK GESSNER | ||
| Co-Production | ||
| UNIVERSITY OF FILM AND TELEVISION (HFF) | ||
| „KONRAD WOLF“ POTSDAM-BABELSBERG | ||
| in the Context of Artistic Research | ||
| Founding | ||
| MEDIENBOARD BERLIN-BRANDENBURG | ||
| NIPKOW PROGRAMM | ||
| The Kind Support of | ||
| FILMMUSEUM POTSDAM | ||
| ARRI RENTAL BERLIN | ||
| World Sales | ||
| TESTE FOUNDATION | ||
| THIS IS A FICTIONAL PROJECT. | ||
| SIMILARITIES TO LIVING PERSONS ARE INTENDED IN THE SENSE OF | ||
| FYODOR DOSTOYEVSKY: | ||
| „I love realism in art beyond all measure, | ||
| the realism that reaches the fantastic … | ||
| what can be more fantastic and unexpected for me than reality? | ||
| Yes, what can be more improbable than reality?“ | ||
| SHOT ON LOCATION IN BERLIN, POTSDAM-BABELSBERG, PARIS, VENICE, EGYPT | ||
| AND ON THE ISLAND RÜGEN / GERMANY | ||
| * | ||
| ALIAS YEDERBECK | ||
| EXPANDED ANIMATION CINEMA | ||
| CINEMATOGRAPHIC INSTALLATION 2011/12 | ||
| Conception and Curator | FRANK GESSNER | |
| Event Management | ELIZABETH PROMMER | |
| Event Management Coordination | ANJA ENGEL | |
| Event Production Team | DIANA DRUDE | |
| CAROLINE GILLWALD | ||
| KATJA DIETRICH-KRÖCK | ||
| KLAUS KEIL | ||
| SARAH PENGER | ||
| KARIN PENNARTZ | ||
| Construction – Exposant Potsdam | CHRISTIAN SCHREYER | |
| Technical Drawing | CHRISTINA BUNK | |
| JORIS HAMANN | ||
| Encoding | LENA MEYER | |
| Technical Support | CHRISTOPH ENGELKE | |
| LENA MEYER | ||
| MARTIN STEYER | ||
| Technical Support – Cine Plus Berlin | JENS FEMERLING | |
| HOLGER HAUSTEIN | ||
| TANJA LANGISCH | ||
| RALPH NIEBUHR | ||
| SASHA REICHEL | ||
| Sound Reinforcement – TSE AG | EBERHARD BINGEL | |
| CARSTEN ROBERT | ||
| 3D Audio Support – Taucher Sound Environments | JOHANNES SCHERZER | |
| JOHANNES VARGA | ||
| Press Release | FRANK GESSNER | |
| AXEL KOSCHIES | ||
| Public Relations | ANJA ENGEL | |
| Print Design | FRANK GESSNER | |
| ROBERT KRUG | ||
| CHRISTIAN MAHLER | ||
| Website Design | ROBERT KRUG | |
| Website Programming | HANNES ZIMMERMANN | |
| Website Translation | MITCH COHEN | |
| IMPRINT DVD EDITION 2014 | ||
| DVD Edition Publisher | ||
| UNIVERSITY OF FILM AND TELEVISION (HFF) „KONRAD WOLF“ | ||
| POTSDAM-BABELSBERG | ||
| in the Context of Artistic Research | ||
| www.hff-potsdam.de | ||
| Conception Virtual Panorama AY | FRANK GESSNER | |
| Programming and Realtime Virtual Panorama AY | JOCHEN WILHELMY | |
| Camera and Postproduction Virtual Panorama AY | PHILIPP MOEDE | |
| Panorama Data Output Virtual Panorama AY | JAN KREMZOW | |
| ULI KUNZ | ||
| Audio Downmix Virtual Panorama AY | BERNHARD ALBRECHT | |
| Re-Recording Virtual Panorama AY | CHRISTOPH ENGELKE | |
| MARTIN STEYER | ||
| Re-Editing QCMT | BENJAMIN DICKMANN | |
| FRANK GESSNER | ||
| Foreword | KARIN WEHN | |
| Chimeras | URSULA FROHNE | |
| CHRISTIAN KATTI | ||
| Intermediality in the Panorama Installation AY | YVONNE SPIELMANN | |
| Visual Heteronym and Animation as Process in AY | SUZANNE BUCHAN | |
| Editorial Work | FRANK GESSNER | |
| Copyediting German | MOIRA COLMANT | |
| FRANK GESSNER | ||
| SOPHIA PICK | ||
| Copyediting English | MITCH COHEN | |
| Translation English / German | SOPHIA PICK | |
| Translation German / English | MITCH COHEN | |
| Design Concept | FRANK GESSNER | |
| Design and Typesetting Work – Mtrchoh | JENNY HASSELBACH | |
| HENRIKE UTHE | ||
| Design Work Assistant | MAREIKE GRAF | |
| Sources and Proofreading | JETTE ANDERS | |
| Opening Credits | ILONA FRITSCHE | |
| English Subtitles | JAKOB WATSON | |
| Authoring / Mastering – WaveLine | GERT RAHN | |
| Legal Advice | ALEXANDRA HÖLZER | |
| Executive Producer | HOLGER LOCHAU | |
| Producer | FRANK GESSNER | |
| WITHOUT THE ADVOCACY, SUPPORT, AND COOPERATION OF MANY PEOPLE AND CONTRIBUTORS THE REALIZATION OF ALIAS YEDERBECK AND THIS DVD EDITION WOULD NOT HAVE BEEN POSSIBLE. THEY HAVE ALL CONTRIBUTED TO THE SUCCESS OF THIS PROJECT AND I OWE THEM MUCH GRATITUDE. FRANK GESSNER | ||
| PRINTED AND PRESSED IN GERMANY | ||
| DVD Edition Distribution | ||
| RE:VOIR PARIS | ||
| www.re-voir.com | ||
| ISBN 978-3-00-044080-9 | ||
| LOGO BLOCK | ||
| HFF „Konrad Wolf“ | ||
| Medienboard Berlin-Brandenburg | ||
| Nipkow Programm | ||
| Stadt Potsdam | ||
| FILMMUSEUM POTSDAM | ||
| ARRI RENTAL BERLIN | ||
| Potsdam 2011 – Stadt des Films | ||
| Land Brandenburg | ||
| Sparkasse Brandenburg | ||
| Kulturland Brandenburg | ||
| SCHIFFBAUERGASSE | ||
| Kunstraum Potsdam | ||
| 360° Waschhaus Potsdam | ||
| Erich Pommer Institut | ||
| TAUCHER Sound Environments | ||
| AdSolute Media Monitoring Solutions | ||
| cine plus Berlin | ||
| TSE AG | ||
| rbb FERNSEHEN | ||
| Re:Voir | ||
| © 2014 UNIVERSITY OF FILM AND TELEVISION (HFF) „KONRAD WOLF“ | ||
| POTSDAM-BABELSBERG | ||
| © 2011/2014 *ATELIER BERLIN PRODUCTION | ||
| FRANK GESSNER | ||
| All rights reserved | ||
| www.testefoundation.org | ||